Month: January 2011

January 21, 2011

BMM11 Behind The Scenes: Wheeling and Dealing

Many Basenoters enjoy Basenotes March Madness, but it’s something just this side of an obsession for me as commissioner of the thing. Suffice it to say that I started preliminary work on BMM12 (March 1 2012) in December 2010. I was simultaneously working on BMM11 and in my first message on the topic to Grant Osborne, owner of Basenotes.net, I asked about the possibility of a prize this year. That was back on 12/15, but good things come to those who wait, and BMM11 officially has a prize package, graciously provided by Indiescents. Not a name you’re familiar with? It’s the niche-focused side of Luckyscent. I know Luckyscent is fairly niche as-is, but these are more independent perfumers, Laurie Erickson’s Sonoma Scent Studio, Brent Leonisio’s Smell Bent, Dawn Spencer Hurwitz’s DSH line, and so on. Given that I’m already in contact with many indie perfumers this year, the tie-in is great and I think people are really going to enjoy reading the selections from the perfumers, they’re all extremely interesting.

I’ve mentioned discreetly to a few people that the brackets are shaping up to be altogether different from the past two years. Take a look at the latest standings here. Everything below #96 is currently on the outside looking in, and there are some damn fine fragrances currently not in the show right now, Chanel Antaeus, AdP Colonia, Czech & Speake No. 88 (big surprise to me considering how far it’s gone in the past), LV Piper Nigrum, and plenty others that are looking mighty snubbed at the moment. This year I’m not going to be fudging these selections any more than I absolutely have to (for example, a three-way tie for the last position). So if something doesn’t make it in, it’s squarely on the shoulders of you, … (More) “BMM11 Behind The Scenes: Wheeling and Dealing”

January 17, 2011

Great Music Has Emotion. Emotion Makes Great Music.

If you and I were ever to have a long talk about good music, you’d find that I will forgive a lot of sins if there’s real, unfaked, unabashed emotion and energy present. Case in point would be something as American as…grits. (We had a discussion that few to no things were truly an American contribution) Consider blues music, a genre that at it’s most typical is very, very structured. Even the solos are generally confined to one scale. But the great bluesmen of generations past told stories that moved the soul. Maybe it’s my internal old fogey talking, but I think if the generation of teens and 20-somethings took the time to listen to some B.B. King, some Lead Belly (Miss you, Jon), John Lee Hooker’s unique take on it, or Stevie Ray Vaughan’s modern-take on the art, they might find the prefabricated pop and rap they listen to now…somehow lacking.

Ray Charles – Georgia On My Mind (Live)

I deeply regret not having an interest in the music of Ray Charles while he was still alive and touring. I reference this live take of Georgia On My Mind for two reasons. One, you can feel the emotional connection between the man and a song he’d become attached to. Many don’t know that it was actually a cover of a much older song written by Hoagy Carmichael and Stuart Gorrell, about Hoagy’s sister, named Georgia. But Ray took his love for the south and left no question. Two, improvising on a long-practiced piece, personally, only happens to me when I’m inspired by the song itself. To be blind but be so spellbound as to not let that be a hindrance for improvising new solos…I can hardly fathom it.

Rob Dougan – Left Me For Dead

You left me for

(More) “Great Music Has Emotion. Emotion Makes Great Music.”
January 14, 2011

BMM11 Behind The Scenes: Unexpected Successes

So the first phase of the BMM voting site has done really well in it’s first two weeks, with 106 different users, 2157 votes and 501 different fragrances in the running at the time of this writing. I’ve gotta say, I wasn’t sure what to expect but I wasn’t expecting that kind of response so early. I took the time to get the most recent numbers, available here, and there’s a good mix towards the top. I haven’t begun any coding on the second half of the site, the prediction contest, I suspect I’ll start on that one of the next few nights.

On an unrelated note, I won my first perfume prize from a blog! Quite excited about the 15mL of Escentric 03 en route to me, especially because my wardrobe is so large at this point, a mL is roughly equivalent to a month.… (More) “BMM11 Behind The Scenes: Unexpected Successes”

January 12, 2011

BurritoQuest: The RPG That Fits In Your Hand

This is a fairly freeform post, I’m laying some groundwork for a game I’ve had in my head for nearly a year, and am only now deciding to put the metaphorical pen to paper (bits to hard drive?) and see what comes of it. The game is intended to be funny, but partly because the inhabitants of this world aren’t aware that their actions are ridiculous to us. For them, it’s just the way things are. This post covers the overview and some details of the game world. There will be quite a bit more than what I manage tonight.

Overview:
It is the year 478 of the Fifth Era, and change hangs in the air of the continent of Adovad. The great war that marked the end of the Fourth Era has left scars on the land that persist even now. Politically, maps were redrawn and there exists peace among the kingdoms for the first time in decades. Lord Varyll Strongbad ruled the dwarven kingdom of Q’doba with a beefy fist. The twins Tel-Rojo and Tel-Verde serve as gentle shepherds for the emancipated nation of Chy’Le, populated by High Elves. Lastly, the wizard-queen Choriza Heartfire is both loved and feared by the humans of Posole. The free city of Calabacita sits on the border connecting the three nations and serves as the cultural epicenter for all civilized peoples of Adovad. There, any disputes among the kingdoms are settled by the recently revived tradition of burrito-making. [See Burritocraft for more information.]

Recently, scribes had finished translation on a recipe not seen by any mortal in two thousand years. The people rejoiced from one end of the land to the other, and myriad burritos were consumed. The rulers of the three kingdoms and the Elder Council of Calabacita sent out decrees … (More) “BurritoQuest: The RPG That Fits In Your Hand”

January 5, 2011

On The Love And Loss Of Friends

The holiday season is a trying time for most of us, for a whole variety of reasons. This year, many former coworkers of mine and friends had to deal with the suicide of Jon Vance, a guy that was as intelligent as he was sociable, and one who I never would have thought was capable of such a thing. That was back on November 23rd of 2010, and I’ve found myself thinking about him every day since. I think part of it is because I haven’t had the closure of a funeral, or even seeing a grave, I experienced all the tragedy with none of the healing that comes with moving on.

Even hearing that guilt is a normal mechanism for suicide survivors, it makes the burden no less onerous. The argument with myself is that I should’ve spoken to him more, let him know he had friends and we really do care and want to see him do well, and not hurt. The placating counterargument is that I’m all the way out here, and he’s so far away, how much would it have meant? How much good would it have done? It’s the pain of never having an answer to that, no matter what and no matter how much you want one. Justifiably or not, I think a lot of us share a sense of guilt.

I have had closer deaths to me, my mother nearly six years ago and my grandfather around the age of 9. But I’ve never had to deal with someone I know taking their own life. Why does it feel so different? I did have plenty of time to prepare for losing Mom, after two near-death scares and seeing her the night before she died, I knew exactly what the call was at 4:45 … (More) “On The Love And Loss Of Friends”

January 3, 2011

Alter Bridge – Ab III [88/100]

Alter Bridge is a group that I was unaware of before starting the 30 In 30 project. Formed in 2004, they’re the oft-maligned God-rock band Creed minus unintentionally hilarious frontman Scott Stapp. I really wasn’t sure what to expect from them as a band, and knew nothing of their new lead singer, Myles Kennedy. Suffice it to say their new album, Ab III, was probably the best rock album I listened to this year (okay, I’m considering this late 2010. What of it?)

“Slip To The Void” opens with strings reminiscent of an electric harpsichord. Soft vocals on a delay give a beautiful ethereal quality. Acoustic guitar joins in and overdriven electric guitar soon after, really beautiful composition and the soundstage was used to it’s fullest. Breakdown transitions the song into melodic hard rock. The bridge going back and forth between choral one-liners and a slick electric guitar solo is fantastic. Huge emotional ending breaking down to the strings it started with. Tremendous opener.

“Isolation” is much harder rock, Drop-D or maybe Double-Drop tuning and the distortion is paired with an octave effect for a great big mean sound. After the first chorus we find double-bass speeding up the feeling of the track. Vocal work is great, adding a nice melodic counterpoint. Bridge is more excellent guitar work, the solos have been great on the first two tracks. I’m digging the freeform feel of the composition here, the bridge is ill-defined but not jarring when we return to the chorus. Unexpected noise gates at the end keep the futuristic rock sound alive. Another solid one.

“Ghost of Days Gone By” is yet another different style, we’re in much more mainstream rock, something I could see Daughtry or someone of the sort doing. But that they’re willing to do it is … (More) “Alter Bridge – Ab III [88/100]”