Author: Daniel

Preface: I’m listening to the new Kings of Leon album with a few preconceived notions. Mainly, I dislike the stuff they put on the radio, like, a lot. I found it insincere, sexist and generally not to my palate at all (too much pop in my rock). That said, I’ve heard plenty of bands that make poor decisions when it comes to their choice of singles and thus resigned myself to listening to their new album, Come Around Sundown, in its entirety unless I cry uncle. Having said all that, I do believe I can remain quite neutral going into this album as none of those songs are on here.

Notes: “The End” starts out with minimalist drums, a smooth electric guitar and long synthesizers reminiscent of M83. The first thing that comes to mind is listening to the lyrics…they don’t make much sense, more a thematic rock mashup than a song. The second thing is there are some interesting choice of instruments, from that scratchy sythesizer to a simple ending on ps iano. Undecided thus far. “Radioactive” is the first single off the album and the only track I’ve heard on this album prior to tonight. Nice melodic guitar and an admittedly solid vocal performance. Choral backing in the bridge and last chorus was something I hadn’t previously noticed, and again an interesting and innovative choice for rock. Solid. “Pyro” has a sad feeling though it’s not in a minor scale, I think it’s emotion in the vocals giving the song a bluesy cast and that’s not easily done. The chorus and bridge are both quite well done technically, quite pleasurable to listen to. Despite it I’m not feeling a ton of variation yet technically with respect to arrangement, timing. “Mary” provides a good opportunity for the sound to … (More) “Kings of Leon – Come Around Sundown [56/100]”

Notes: “Party People (feat. T.I.)” is a solid opening with a sound more reminiscent of The Neptunes than N.E.R.D., though the sound that keeps coming to mind is The Chemical Brothers, or maybe Q-Tip. No accusations here, just a comparison, but Pharrell does admire both and he’s talented enough I’ll consider it a hat-tip. “Hypnotize U” has tons of club bass, floor toms and synthesizers, unique from anything I’ve heard from them in the past but it’s not really landing with me, can’t put my finger on why. “Help Me” has that offbeat N.E.R.D. sound that intrigued me years ago, more thoughtful lyrics than the first two tracks that had me fearing Pharrell had further devolved into the “Cars, Money, Hoes” theme that pervades hip-hop on the radio. “Help Me” really is catchy, interesting choice of instruments and the arrangement breaks the mold. Solid on all levels. “Victory” has Pharrell backing himself in 3-part harmony over handclaps and overdriven bass guitar. The bridge is genuinely impressive and shows the most focus on vocal harmony I think I’ve ever heard in a N.E.R.D. song. Interesting take on what’s intended as an inspirational song. “Perfect Defect” has catchy hooks throughout, a slick funk bass line follows nicely syncopated vocals and a horn section, honestly there’s more going on in the song than I’m able to determine in one listening, lots of instruments dropping in and out, an arrangement that blurs the lines between verse, chorus and bridge. Really impressed with it. “I’ve Seen The Light” Starts out sounding like Pharrell’s about to wax poetic about some sailors a few hundred years ago, but the chorus has that Neptunes sound that is often imitated, rarely duplicated. “Inside of Clouds” picks up right at the end of “I’ve Seen The Light” and is about … (More) “N.E.R.D. – Nothing [86/100]”

Released yesterday, this album is a set of 10 never-before-heard songs that cover the whole range of the Genius’s abilities, from country-western to blues to funk. It was a bit of a sentimental rollercoaster to listen to, but I enjoyed it very much. Below are my notes and scores for the album.

Notes: Sound quality is exceptional given the age of the material, some of which dates back to the 1970s. From track to track you’re reminded of Ray’s ability to shine in any genre. “It Hurts To Be In Love” has tons of emotion over a funky swing sound, with little stabs of electronic piano placing it firmly in the 1980s. “Wheel of Fortune” feels like two songs in one, the swelling strings of orchestral soul on one side of the coin and a more syncopated big band sound with subtle two-part harmony that gives the song tons of character. An early favorite in this album. “I’m Gonna Keep On Singin'” Opens with tasty funk licks on bass and takes you on a trip that feels largely improvised and delightfully so, like you could feel privileged to sit in for a jam session with the Genius hard at work. Even though the whole band seems to be in attendance, for most of the song it feels quite minimal and intimate, transitioning with a bridge featuring marimbas that places the track firmly in funk. “There’ll Be Some Changes Made” is slow blues that is soulful, but with a solo that feels about 8 bars too long. His vocals seem forced but still beautiful. “Isn’t It Wonderful” doesn’t categorize well but bass and electric guitar pluck out a simple 4/4, Charles’ vocals are spot-on but the track feels very roughed-in, and in fact several of these tracks were finished posthumously by … (More) “Ray Charles – Rare Genius: The Undiscovered Masters [78/100]”

Most of you know I thrive on projects. The more ambitious, the more I toss and turn over it, the better. Sometimes I remember projects with more fondness than I honestly had for them at the time. Writing projects can be like that, but I remind myself that this could just be important practice, training for a career in who-knows-what. This winter I’m revisiting music reviews, and trying to review one new release a week and maybe one of my favorite albums weekly or bi-weekly too. The good news is I put much more work into the details first this time, and I feel like I can make a more objective statement about the music itself than with my prior setup. I’m using a rubric much like written compositions are scored against, which you can see here. I created the rubric to cover the things I find most important, and also make it a point to reward innovation, originality, and creativity.

I’m also using high-quality headphones instead of my 5.1 surround sound system. The Sennheiser HD25-1 II is known for being neutral and true to the source, with tighter bass than other models I tried while deciding. I justify this by my experience as a music producer, and referenced the headphones with several songs I created and found the bass to be heavy but true to the sound I was trying to achieve in my work. They’re being fed into a Sound Blaster Audigy 2 ZS sound card, and all equalizer settings between software and hardware are set to flat. With my end of things sussed I had to decide on a source. I can’t sink 10 bucks a week into a new release every week so I chose to use a music streaming service, and decided on MOG.com … (More) “Winter Is For Writing”

This sophomore offering from Five Finger Death Punch features the same line-up as the sound that gave you The Way of the Fist, which provided “The Bleeding” and “Never Enough”, the two songs that propelled them into regular airplay on rock stations.   If you’ve been in your local Best Buy recently, you may have heard their first single off the album, titled “Hard To See”.  The thing with 5FDP, though, is they truly do aspire to be more than prefab, mass-consumable rock.  I listen to this album, and I hear some flashes of talent that extends beyond what they’re known for, and I feel their strength is in a heavier vein of metal than what is usually acceptable on your major radio stations.  At the same time, the album as a whole feels scattered and loose; you go from catchy, inspired rock in “Hard to See” to a very traditional, melodic metal offering in “Bulletproof” with an unclear message. The angry, defiant “Burn It Down” seems included as an afterthought and was quite powerful, which goes back to their strength, which is raw, melodic metal.

I’m not gonna lie, I think Ivan Moody, their lead singer, makes the band.  This guy will have work in the industry for as long as he chooses to rock, and in this album he does get to try some new situations, and while the talent’s there in his growls and screams, he needs to work on control when he has the opportunity to sing cleanly, I was cringing all the way through “Far From Home,” if he can improve his sense of pitch in clean sections it’s going to do wonders for their sound and versatility.

Viewing the album as a whole, I’ll call it an acceptable effort by some genuinely talented … (More) “Five Finger Death Punch – War Is The Answer”